Cristine Sun Kim: the enchanting music of sign language
The
speaker would share a little bit about the history of american sign language
(ASL). French sign language was brought to american during the early 1800s, and
mixed with local sign then evolve into language that we know now as ASL.
As
a deaf, the speaker must believe that sound wasn’t part of her life. She observes
how people behave and respond to sound. She create sound that she term sound
etiquette, such as for saying “don’t slam the door” and she does movement of it
that make people understand. She thinks sound etiquette more than the average
hearing person does. In deaf culture movement is equivalent to sound. She had
been working as a painter, one day she visited museum, but she didn’t find
visual art, it’s auditory. She started creating a new body of work and
presented this for art community. She realizes that sound like money, power,
control, social currency that disempower her and her artwork. She tries to
communicate with individuals, they can help her to communicate with others
(like borrowing sound).
With
sound being her art medium, she delved into world music, she finds the
similarities between music and ASL. For example musical not, cannot be fully
expressed on paper same with concept in ASL, meaning the subtle changes can
affect the entire meaning to both sign and sound.
ASL
is divided into many different grammatical parameters, if we assign a different
parameter to each finger as you play the piano such facial expression, body
movement. All 10 fingers need to come down simulation to express a clear
concept or idea in ASL. However nowdays we live in audio centric world and just because ASL has
no sound for it, automatically holds no social currency, we need to start
thinking harder about what defines social currency and allow ASL to develop its
form of currency without sound and this could be a step to lead a more
inclusive society.
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